![]() It soon becomes apparent that he’s in the hands of black priestesses, and they’re preparing him to be ritually sacrificed. No matter how roughly they treat him, he continues to spit out the words of his song it’s a burning complaint, and he’s burning to make his confession to the camera. A shirtless Borland approaches two kneeling women, who seize him and smear him with unguent. In the “Lie” clip, the singer-guitarist and director Josh Evans select imagery that is no less jarring. ![]() Names aren’t explicitly named, but it’s not too hard to tell who, and what, he’s singing about.īorland is well-known for his theatrical and confrontational self-presentations – he’s gone onstage in front of testosterone-soaked audiences dressed as a girl, and his black contact lenses and bizarre makeup became famous in the late Nineties. “I follow these pigs around but I never get used to it”, he reflects, “they keep building their feculent franchise”. The song is a kiss-off to former colleagues and a statement of renewed purpose the narrator might be “living a lie” that threatens to deaden his soul, but he’s determined to fight his way toward the truth and an entirely new way of being. Wes Borland, it turns out, is a commanding presence on the microphone as well as a wizard on the fretboard, and his vocals are brutal, menacing, and certain. “Lie”, the lead single from Cruel Melody, is pure modern rock – an explosive burst of distortion and rage, and a declaration of independence and self-affirmation set to a thunderous backbeat. Together, these seasoned musicians have crafted a debut that transcends the stylistic conventions associated with hard rock, and incorporates elements of Goth, hardcore punk, industrial metal, and electronic music. Singer-songwriters Johnette Napolitano and Carina Round contribute support vocals, and even Bizkit bassist Sam Rivers makes an appearance. Sonic landscaper and synthesizer player Josh Eustis is best known for his work with IDM pioneers Telefon Tel Aviv and his incendiary remixes of heavy rock songs. Drummer Josh Freese – also a veteran of NIN – has pounded the skins on countless albums, including those by A Perfect Circle, DEVO, Rob Zombie, and Ween. Danny Lohner of Nine Inch Nails, Skrew and Marilyn Manson produced Cruel Melody, and he brought his bass, his six-string, and his Goth-industrial sensibility to the project. The inventive guitarist has called in a team of hard rock heavyweights to help him realize his vision. Anticipation has built for his first major post-Bizkit project and album release – and now that it’s here, we’re pleased to report that Black Light Burns is an absolute monster.īorland hasn’t gone it alone. Since parting ways with Limp Bizkit back in 2004, Borland has continued to follow a personal muse, experimenting with sound and tone and penning songs of great intensity and unflinching honesty. His unusual chord voicings, surprising choice of instruments (he famously used a baritone guitar on “Nookie”, deepening and thickening the sound of the six-string assault) and outrageous stage appearance lent the band much of its character and most of its unconventionality. But even the group’s detractors had to admit that there was something special – and uncommonly innovative – about guitarist Wes Borland. Not everybody loved Limp Bizkit – although enough did to make the band one of the most popular groups in the world during the late Nineties. A warm and rocking hello to all my music video programming friends! It’s Andy Gesner and the staff from HIP Video Promo, back with a brand new video from a familiar face.
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